Category Archives: Atrts-learning

Il. POUTIATINE. Architect A. KAMINSKY(1829-1897).

Kaminsky1

И.Е. Путятин

К новым исследованиям церковного искусства эпохи историзма: постклассицистические представления о символике христианского искусства.

Статья посвящена проблемам историзма в творчестве русского архитектора Александра Каминского (1829-1897).

 I.E.Putyatin

The new study of religious art of Historicism: postklassitsist understanding of the symbolism of Christian art.

The article deals with the problems of historicism in the work of Russian architect Alexander Kaminsky (1829-1897).

To read this article completely…

Читать статью полностью…

__________________________

Tagged ,

Konstantin KOROVIN (1861-1939)

At the open windowIn Russia (Tretyakov Gallery, Moscow) the Korovin’s painting exhibition has a great success now.

K. Korovin is well-known with his brilliant talent and rich pictorial colouring. Korovin was a pupil of A.K. Savrasov, V.G.Pryanishnikov, E.S. Sorokin, Polenov.  Such artists as M. Vrubel and V. Serov were among his nearest friends and colleagues. It is possible, that he was upon influence of I.E. Repin, who was teacher of V. Serov. Konstantin’s elder brother – painter Sergey Korovin was person who direct him in his first steps.

K. Korovin is a painter, whos palette was formed also upon his Franch contemporaries influence. Sometimes he visited Paris, where, while being learning works of ancient and contemporary painters, he thought hard about colour and tint balance in painting.

In spite of lightness and brightness of his works, it is widely known, that such impression based upon deep analysis of his own experience, cultural and arts traditions.

Korovin’s followers were S.V. Gerasimov, B.V. Ioganson, N.P. Krilov. We may consider them as the founders of the Korovin’s Scool, which works today too.

Konstantin Korovn leaved a lot of works, which are placed in different Russian (and other countries) museums and private collectons.

_____________________________

Ill. K. Korovin. At the open window. F. Shalyapin’s daughters (1916).

E.V. Putyatin

Tagged , , , , , , , , , , , , , , ,

To become free

Classik in Moscow

To become free from different circumstances in professional work, one can free himself from them. And then Our God gives direction and power.

The principles of Classic Arts gives us wide opportunities, to be free in creative works. From the very beginning of conscious artistic activities (from classical antiquity till our days), Classical order principles were giving by architects and educated high persons from age to age. Years and ages were past, but classical architecture always remains beautiful and contemporary.